May 6, 1862 - Songs Tell the Story
It is common knowledge that world events have long been recorded in song or prose. People, in general, rely on song to praise the Lord, to soothe themselves, inspire others, express their anger, to tell the details or simply to enjoy. Songs are a symbol of what people are all about, who and what they love--or hate; how they suffer; how they learn. Since this war began, songs have taken over as the means to relate the 'bare bones truth' beneath those horrors and sorrows our minds want to deny. New songs are being written every day while old songs are being upgraded to involve events as they unfold.
For instance, since the battle of Shiloh a song has emerged about a dying drummer boy, The Drummer Boy of Shiloh'. People are beginning to realize the real horrors of this war. It is ironic, perhaps, that 'Shiloh' is a Hebrew word meaning 'place of peace' when total casualties of that two day battle exceeded the number of casualties in the American Revolution, the War of 1812 and the Mexican War. 23,748 were killed, wounded, captured or reported missing.
Before 'The Drummer Boy of Shiloh', songs tended to glorify whatever person they were about. 'Beauregard's Bull Run Quick Step', calls on P.G. T. Beauregard, the Confederate hero after the Battles of Fort Sumter and Bull Run, to save the city of New Orleans.
'The Battle of Fort Donelson' tells of General Ulysses S. Grant's successes in capturing Fort Henry and Fort Donelson. Likewise, The Battle of Roanoke Island' tells of General Burnsides' success in North Carolina.
As Grand Marches go, while General McClellan's reputation has waned some in recent weeks when this war began he was the respected leader of the Army and 'General McCellan's Grand March' was dedicated to him in the northern United States. In the South the 'Grand Secession March' of 1860 is dedicated to the Charleston Delegation who led the secession of southern states from the Union.
Some marching tunes are given as a manner of gaining conventional order such as 'Our Dress Parade'. According to the Regulations for the Army of the Confederate States one dress parade is to be achieved daily at morning or evening with the commanding officer directing.
The Yankees have chosen a new marching song, The Battle Hymn of the Republic' recently written by Julia Ward Howe, as their anthem while the Rebs cling to several forms of an extremely popular song, Dixie, to remind them why they decided to fight this war in the first place.
The original version of 'Dixie' was written in 1858 by Daniel Decatur Emmett of Ohio as a portion of a minstrel show where actors portrayed southern slaves in black face.
Some believe the reference to 'Dixie' refers to the Mason-Dixon Line (named for the two men who created the imaginary border between the north and south, Charles Mason and Jeremiah Dixon). Others claim 'Dixie' or 'Dixieland' is a term for a farm in the state of New York owned by a man named John Dixie who befriended so many slaves his farm, 'Dixie's Land' has been considered paradise by runaway slaves. Still others claim 'Dixie' refers to 'Dix Notes' a common term for the ten dollar note in Louisana.
In March of 1860 Rumsey and Newcomb Minstrels brought 'Dixie' to New Orleans as part of their show. The song seemed unlikely for a southern hit because it was composed by a northerner, starred a black protagonist andwas intended as a dance song. Yet, in the midst of the sectionalism atmosphere in which the song was presented, it became an immediate hit throughout the southern states. So popular, in fact, it was played at the inaugeration of Jefferson Davis and has become recognized as the Confederate Anthem of choice.
While general verses of the song change according to where one is, what one is about, one's personal sentiment and religious beliefs, the chorus of the song always remains the same and holds the most defining words of the song's purpose and message.
I wish I was in the land of cotton, old times there are not forgotten, Look away, Look away, Dixieland. In Dixieland whre I was born, early on a frosty morn', Look away, Look away, look away Dixieland. Then I wish I was in Dixie, hooray, hooray! In Dixieland I'll take my stand to live and die in Dixie, Away, away,away down South in Dixie, Away, away, away down south in Dixie.'
While there appears to be an abundance of patriotic songs reinstating the original enthusiasm of the first months after secession when most believed the war would end in a few months, there are also a number of songs about the strife of war, death caused by war or homesickness caused by long months of being seperated from loved ones and family.
'The Bonnie Blue Flag' written by Harry Macarthy after the Battle of Manassas in July, 1861, was successful in fueling the optimism of the south. There are songs about soldiers' camp life, battlefield or prison. One story claims that a nurse sang 'Just Before the Battle, Mother' and brought an entire hospital ward to tears. E. Walter Lowe of the New York Ninth Calvary wrote 'My Loved One' comparing the admiration of a beloved to the thunder of canons. 'A Mother's Hymn' speaks of a mother's pride in her soldier son while another, 'The Southern Girl with the Home-spun Dress', commeerates the pride of the women who have given up their fine clothing and jewelry as a cause to raise money for the war effort.
Another song that has reached the same heighth of popularity as 'The Battle Hymn of the Republic' and 'Dixie' is the 'Battle Cry of Freedom'. Only recently written by composer George E. Root, the patriotic song has two versions which advocate causes of the Union as well as the Confederacy.
The Union Version:
chorus: Yes, we rally round the flag, boys, we'll rally once again, shouting the battle cry of freedom, We will rally from the hillside, we'll gather from the plain, shouting the battle cry of freedom.
The Union forever, Hurrah, boys, hurrah! Down with the traitor, up with the star; While we rally round the flag, boys, rally once again, Shouting the battle cry of freedom.
We are springing to the call of our brothers gone before, shouting the battle cry of freedom! And we'll fill our vacant ranks with a million freemen more, shouting the battle cry of freedom!
We will become our numbers the loyal, true and brave, shouting the battle cry of freedom! And although they may be poor, not a man shall be a slave, shouting the battle cry of freedom!
The Confederate Version:
chorus: Our flay is proudly floating on the land and on the main, Shout, shout the battle cry of Freedom! Beneath it oft we've conquered, and we'll conquer oft again! Shout, shout the battle cry of Freedom.
Our Dixie forever! She's never at a loss! Down with the eagle and up with the cross! (albatross) We'll rally 'round the bonny flag, we'll rally once again, Shout, shout, the battle cry of Freedom!
Our gallant boys have marched to the rolling of the drums, Shout, shout the battle cry of Freedom, And the leaders in charge cry out, "Come, boys, come!" Shout, shout the battle cry of Freedom!
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They have laid down their lives on the bloody battle field. Shout, shout the battle cry of Freedom! Their motto is resistance--"To the tyrants never yield!" Shout, shout the battle cry of Freedom.
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While our boys have responded and to the fields have gone, Shout, shout the battle cry of Freedom! Our noble women also have aided them at home. Shout, shout the battle cry of freedom.